Card In Shape Of Shiv Linga

Poetry "impure" policy to "Beba do Samba "


Poetry "impure" policy of "Trampling the oblivion" in the assembly
"Beba do Samba" (Rome) - January 8, 2011 by James

Cuttone

January 8, 2011, 100 poets (Contilia A., R. Roversi, G. D'Elia, N. Paci, M. Cucchi, B. Costa, N. Cavalera, N. Balestrini, L. Page, N. De Vita, L. Socci, D. Note, F. earrings, M. Lenti ...) of "Trampling the oblivion" will meet again to "Beba do Samba" in Rome to present the book in its edition (second) paper. The work, now it comes to the types of Cathedral / Argo (in collaboration with the Association Nie Wieme). The first presentation (and the first edition of the 100 poets) in the form of e-book, was the January 8, 2010 (always the "Beba do Samba").
The second presentation (such as an anniversary) will also, again, an opportunity to discuss the deterioration of the current world system and the characters, to say the least, low alloy or short stature, who administer it. In Italy certainly rule to increase the GDP of the private-breakdown, youth unemployment, and impoverishment of the "sans" means no rights, no home, no job, no conflicts antagonists, without poetry, without an alternative culture and politics, etc..
The work, as we know, had a first edition (electronics) e-book formats. The editors were David Note, Fabio earrings and the portal of the poem "The Crane" in collaboration with the "Argo", "The Unit", "Left". Today, the volume, in its elegant print edition, in addition to the note "A secular miracle" by Luigi-Alberto Sanchi, also carries an introductory note by Valerio Cuccaroni.
The constant, worthy of note is that these one hundred poets (with different styles and languages, but united in respect of the Italian Constitution and the values \u200b\u200bof anti-fascist resistance) have raised a hornet's nest of interventions. There have been controversies and inane invective for cutting anti-system of the book by the family of Berlusconi. The texts of the poets, in fact, do not avoid or the positions taken by "anti" or the pitfalls of critical thinking. After all everyone knows that the regime of Berlusconi, one of the faithful execution of the sinister liberal modernization of class, and his gang of organ-grinder, or do not like the divisiveness, nor the anti-fascist republican democracy.
Strange, though, is that people like Adriano Sofri they are, apparently, on the same lane that follows a denial or removal of political-cultural critic to the work of the authors of "Trampling forgetting."
so that, at this point, we like to return the response from entitled "Those poets off the hot tin roof. A reply to Adriano Sofri ", the book's editors (David and Fabio Note Earrings):

" I was looking good and on the roof of my building / when suddenly you come to drive away with a pool cue / as if I were a urlandomi cockroach that are good for nothing.. "

"is the verses of an Italian poet, born in 1974 and from the roof of his palace was launched last year, flying against the world, they bade farewell to the life and Italy.
He has left two important books and pieces of what is considered essential to the generation of Italian poets of the first decade of the millennium, Adriano Sofri that knows neither read, simply pontificate on "La Repubblica" on what to ignore, as if forgetting the entertainment and media in relation to the poetic genre can be considered a form of reality, at least so far as its intellectual adjacency the official representation of the communication of culture and not an act of conformism (the reference is all to the article "Those guys on the roof of a country without poets," published in La Repubblica "on 27 November 2010).
In January 2010 one hundred Italian poets have joined in the meeting flowing into the most important and widespread civil work of poetry in Italy for "Trampling the oblivion" of a country without historical memory, democratic culture and common planning.
challenged the exile of poetry and art from the public debate and interdisciplinary, exposing the seriousness of the issue of culture in Italy and also in the small environment of journalism of the left, where the confusion between the concepts of art and entertainment, culture and living room continues to reign supreme. Many Italian newspapers
hosted, gave voice mocked or cheered the case of the "Poets in revolt." Some protesters even raised their verses written on some billboards in the B-No Day in Rome, as testified by the daily newspaper "L'Unità".
traveling at his own expense from all over Italy, joined the hundred poets in self-managed meeting in Rome's San Lorenzo, along with students and temporary workers. Where
looked Adriano Sofri, in those days? Just
him that if he had wished he could make the wave of spontaneous cultural revolt and poetic as a matter of urgent policy and programmatic for the whole of Italy and the Left to be redone?
The poets were there, off the roof, because the roofs are not the only place to meet and make their voices heard, dear Adriano Sofri, but with eyes fixed to the roofs, the roofs of leachate bells, to the roofs Aquila destroyed, the roofs of abandoned asbestos factories, the roofs of shame detention centers scattered throughout Italy and dilapidated schools or reduced to an impenetrable barons and fiefdoms.
poets is that they are well down from the rooftops, as the towers, which are on the streets, among people who watch and give voice to those who did not have voice.
These same poets, and this time hopefully some representative of the newspaper in which he writes, will meet again Saturday, January 8, 2011, from 17 hours at the headquarters of the Cultural Association "Beba do Samba" in San Lorenzo, for the second National Assembly of "Trampling forgetfulness," where all souls criticism of this country will be called to intervene, to confront, to analyze the social, cultural and policy of this shameful moment in history, discussing its exclusion of the Poet, Soul of dissent, memory and change, the key areas of Italian culture and communication.
It will perhaps be the best way to remember together, not death but life, poetry and hopes of Elsa Morante, who continue to sparkle from these gray roofs and crumbling of Italy. "

Ladies Volleyball Dvd

on writing poetry of Nino Contilia



Friday, 19 .11.2010, in the conference room of the library "Marucelliana" in Florence, Antonino Contilia presented his latest book of poems I (S) Dyad / The binary dell'asiento , edited for notebooks "Collective R / Atahualpa, 2010," the magazine of poetry and literature, directed by Luca Rosi. The presentation of the work was done by the author Marsala Martha Canfield (University of Florence) and the Sicilian poet and essayist John Commute.

Contilia the poet, returning in Marsala, we ask you to refer, briefly, how the meeting went and if I (S) Dyad / The binary dell'asiento received additional evidence (beyond that already published by us of Mary Patrick Allotta in recent days), if in the course or any other publication in its anthology, and if we can say that motivation led him to write (not long ago our newspaper has hosted two items) on the painting of Toti Lombardo and Giacomo Cuttone.
Responses:
The presentation went beyond my expectations for the cutting of critical speeches of the two speakers, both qualified for the attention of the public. The start was given by the poet L. Rosi. Rosi recalled the old ties that since the late seventies (of the last century) onwards Contilia held close to the group of Florentine poets of commitment and experimentation of those years, and how the magazine CollettivoR "was a through the strongest with the poetry of the Sicilian dell'Antigruppo, whose voice was one of Contilia youngest and last. Rosie also said the participation of Contilia experiences and cultural performances and poetry of the 'Arch / roller-coaster "of Florence in the eighties of last century, John
Commare, covering the various texts of the book, he met sull'unitarietà poetic style of I (S) Dyad / The binary dell'asiento, highlighting the fact that the existential and political content have been filtered by both a sound and rhythmic polyphony (carefully constructed by sliding signifiers and / or using various forms of sound- poietic compositional logic and rhetoric) and from a deliberate and marked allegorizing parody. A language "upset" and "complex" in its various offers and stretched to the degree of irony (strong and funny) and sarcasm (as noted by the poet and critic Dominic Cara about "Time of layout", 2007);
Martha Canfield ( University of Florence), after asking the direct reading of the poet "Binary, dark, Fuse, Spin," focuses his attention on "Spin". One of the texts of the collection relates to the Eros with the feminine body language and strange as intriguing. But it also speaks of eros in its links with politics and religion. As suggested I (S) Dyad), in fact, eros infiltrates and affects the body system religion and politics. Note, not to talk about our days, that tells us the story of the beheading of the "rebel" Giovanni Battista ordered by the king, but wanted to Herodias as a reward after the erotic dance of Salome. Like John Commare, Canfield also held to point out that, in this poetry collection, Eros is the passion of Contilia for / of the language, and especially that of poetry;
between assistance from the public, that of critic and historian of "literature as a novel general, Stefano Lanuzza. The Lanuzza spoke of neo-baroque linguistic variation that causes proliferative and critical thinking in the face of today wear the language info-emotion/intrattenimento which affects the ability to think. And the verbal and semiotic efflorescence that branched lives of the verses I (S) Dyad it is the clearest proof. The reviewer also mentioned some of our current research and theory of poetry that involves the subject in its individual and collective subjectivity, and the production of collective works of poetry or Sine Nomine (completed or in course of work like this online www.retididedalus.it in with the collective name of "We Rebeldía 2010). He also referred to a neo-Enlightenment search as a bridge between scientific knowledge and poetic. Moreover Ilias Prigogine says that science is a poetic play of nature and history.
For other examples, waiting for the next publication (Arenaria/2011) of the research essay Marta Barbato (University of Palermo), I remember the certificates Franca Alaimo (Palermo) and Maria Attanasio (Caltagirone). Alaimo
Franca: "Contilia belongs to the ranks of writers who, going to open eyes on the muddy and bloody body of the real, non-stops to feed future utopias: is not contained in the very title of his poem (designed as a cross in stages - Some texts titled - World now and here) the answer to the 'dyad was?
That "s" encapsulated does not ask to be released from its bracket as the bars of a cage? And, in fact, by doing so, readers will find the magic formula, eros. Nothing new. Nothing, unless we deal with the "how", that is the medium through which they travel the author's ideas, the ties between his state of observer, observed reality and the overall design of the new map drawn.
Contilia begins to blow up half the usual: the language, mixing with the ferocity of the rebel and tenderness dell'Innamorata who dreams of the other possible language, capable of leading humanity towards new, better goals, so that the destruction scintillino already the seeds of re-construction. Contilia grabs all the body language, Piling parts missing, lost, forgotten, asks greedily at the time and space, including poems, phrases, titles that refer to writers, essays, films, books and anything else of the recent past and distant, and also accepting the terms and phrases of 'other languages, especially from the air in science and mass media, of yesterday and of today.
E 'an erotic exploration of the language characterized by the same passion and power of the senses of a lover who tirelessly travels the body of the woman he loved. This seems to me the meaning of at least half of the texts that make up "I (s) dyad," which, in them, inventing a new kind of love poetry, crushing and sommuovendo, but without clear, lyrical tone, gives voice Contilia, yes, to an intimate story of love, but with awe, to wonder, following his inner track, ends with the woman's body that coincides with that of poetry and language, which is jagged and multiply excited vibrations, leaps of imagination, unusual union, dialogue and conflict: a + and then one of two units in an attempt to undo the limits. E ', ultimately, this is his way of seeing the world, if the other ceases to be away, if it approximates to the more intimate contact, you return the unit.
But it is the utopia, utopia! To be kept high, sure, especially against the false and universally conveyed into the cage of the world increasingly caught up in computer networks, broadcasting, ideological. Which network ever had to make to make Peter's many live fish from Lake Tiberias and shiny that seemed completely senseless! Which network against seemingly deserted, devitalized?
why the net language that spoke well "beautiful" the Pharisees were broken, are broken, ever! Contilia does it in every way, with great seriousness, but sometimes you leave the game, of poverty, of poverty, trying different tones: the ironic, the humorous, the play separately, but also together in the same text, in a sort of large-visual collage of sound.
But the reader must not be distracted, because the author makes the game, at times, those same critics who, as if to say that even the writers of poetry and to be trusted! Attentive reader, who seduces you with words like the snake of Eden! And be careful, indeed, poetry man! Because in this poem - he always says - it talks about you, the reality you live, disasters of greed, of dry laws of the market, the eternal inequality, thirst, hunger, blood, shipwrecks: here they are new martyrs of today! Contilia choose them as fellow travelers of him, giving them the space to cover (Acrylic - "The Island is coming 2" - is the painter James Cotton), where they hope despair among the blue of the sea, the red is the blood of death, blood or a setting sun rises, it is not known; and the green of a promise, a remote island, which is their utopia.
After all, "poetry and utopia are trapped?" Asks Luca Rosi seems that comment with his poetry on the back cover of his book, which, precisely targeted. And a word to say with him, with them, "insiders", because, finally, what is the Contilia wants to prove there, here, now, with the only weapons at his provision, 'the verses and the sneers'. "
Maria Attanasio:" ... thanks to Eros (d) dyad, which I read with great curiosity.
I did not expect it so disruptive textuality and original energy or the strength of your multilingual (English to Latin to French: sometimes all in one verse!), Or a trial so bold expressive, varied, crossed by rhymes and harmonies, from the corrosive irony and commitment by invective and fun (Manet, La Moneda, for example). Especially so expressively deragliante than compared to a poem today more and more serious and sentimental (without feeling, though!) often returns to the heart to rhyme with love, writing with dictatorship. "
The original impetus that motivated me to write on the painting of Toti Lombardo ("Abstraction in painting Toti Lombardo) was the geometry of colors and artistic ornamentation coniugante the story of his journey, the traces of the revised florality Mediterranean culture together with the proportion of conjugated forms of logic and abstract, "invented" and pictorial imagination wisely and patiently cared for.
For the artwork of James Cuttone, the speech would be longer. His painting moved me and moves me to his allegorical and poetic expression "committed" ("The allegorical expressionism in painting of James Cuttone"), and why, harmony, the artist has always interpreted artistically set up my lyrics and the cover of my books. But there is a mutual respect and harmony on the word displayed (poetry) and painting that says (arts). An old militant dissent, research and excavation, which runs through his entire artistic career, is another motivation, as is also the value of its con-figurations related to the themes of "migrant" and its cultural implications -policies, and of which "is not coming Island 2" - which completes the cover of "I (s) dyad / The binary dell'asiento "- is only one copy.
In order to my future publications of poetry, I can anticipate that in Rome (ed. Brew, even the name of the magazine I work with for years) is being printed anthology is a body which is also a section of my unpublished collected under the CONTROPRESENTE title. This small collection is part of "SSSS ... indigo in Kakan", the text dedicated to the "glitz" Marsala summer 2010.

(interview by Gaspare De Blasi in "Marsala's - November 30, 2010)

Cluster Headaches Oxygen Frequent Small Headaches

The exercise poetic Anthony Contilia

Maria Patrizia Allotta


" In the month that begins spring of 2010 that we receive a new gift from Anthony Contilia entitled I (S) Dyad / The binary dell'asiento where you can take, once again, the delicacy of a soul that sings and calls tirelessly and sensitivity a spirit that inevitably excites and thrills.
Also in this collection, as always, behind the dragging "madness" bizarre paths dictated by lexical and grammatical paths masterfully by our Sicilian author, we see as the way of "wisdom" that belongs so intimately to distinguish it from more and sleepers, as well as we recognize the bold linguistic and literary transgression which, however, almost mysteriously, every player brings to the myth and tradition, the value of each audio track and the sense of every word mark and above all the importance of writing and the secret of the liberating word.
Opera, one of Contilia, where science intersects with philosophy, interweaves the immanence to transcendence, the sacred and the profane organization, depends on the reason for alteration, the mind is united to the body, the indignation generates 'love, becomes one with the divine beauty.
In many ways, then, time, apparently in addition to "layout" or suspended, blocked but extraordinarily infinite, the space crossed, but inexplicably bound unlimited, the Cosmo devastated, hurt, disfigured, but also pleasantly indeterminable, the man mocked, vilified, tortured and yet deeply loved.
Sounds, beating and flags alternate with silence, hugs and dreams. A Dyad
eternal, in short, good moves, between theory and practice, system and action, ideology and commitment, tradition and innovation together.
And they certainly are "delusions of silent bodies to the wind", the "mergers and dispersions of Horrors", the 'endless massacre of the poor ", the grueling" beat the dead ", but also too many" rafts adrift " the unbearable hunger flexible, "" insecure and expensive clothes "ol'offensivo red sea of \u200b\u200bblood" that led him to speak out as "no longer has time to require time to ask" why "another world is possible "as well is the" slaughter seamless "," freedom languishing, "so and so is a church" and even "love for rent ..., Justice and the courts to panelleeeee to pancakes," but also " around the brothel and a life to shreds, "the" precarious work, I eat occasional time I fall in love with "that make him feel "as well as squatting dissociated so suspended so surprised" but also "so" as flexible as a fuse. " It is a warning
dictated his house, his commitment to a prophetic exhortation, an example of the nobility, especially when, perhaps exhausted but not resigned, but folded fighter, still bravely speaks of the "consciousness fleet in the wilderness" of those "folds that does not explain" and that "life is not for everyone of all."
It is always nice to think that this old young man who already "had been lost in the gaze" can be convinced that "time does not sound twice, never the same song of wind and sky "and that" one does not die in one go "so you can pick enthusiastically and then sing" The smell in the ruins, "" delicious to the tide of the volcano "and" delirium in love "... that enchants.
Rage and anger in his words, exercise and spiritual entronautico in his poems, deeply-felt love and peace of the dream of lucid delirium in his philosophy. "

Swings Sets For Small Yards

The poetry anthology" Trampling the oblivion "

polyphony of poetry and the strength of truth




is not the sleep of reason produces monsters, but
vigilant and insomniac rationality.
G. Deleuze

proper purpose of Newspeak [...]
make impossible any other form of thought.
G. Orwell


Trampling oblivion / Cento Italian poets against the unconstitutional threat to the strength of Republican memory, edited by David and Fabio Note Earrings, e-book (first edition) and Nie Wieme (second edition coming in November 2010, Ancona).




In the formation of Italian unity and born in the debate on its institutional structures, the poem was a witness and a critic always uncomfortable. We want to say that it was always present as significant and unavoidable part of speech and of the polis, and that now, the publication (2010) in e-book (coming soon to the Series Editor's Cathedral Argo, Ancona) the neglect of the poetic work Trampling - Hundred Italian poets against the unconstitutional threat to the strength of Republican memory, by Note to David and Fabio earrings, is not only a confirmation, but a need, a necessity and an urgent commitment. Far from Croce's aesthetic thought, here we can not, however, does not mention, however, the truth, as does Norberto Bobbio (From fascism to democracy, 2008, p. 232), engaging in Eugenio Garin (The intellectuals of the twentieth century), that a culture of "disengagement "to cross, of course, and rightly so," was makes no sense. "
The expulsion of poets from the city, as Plato wanted the political, then it worked in reverse: the demon of poetry conflict has left the link to the winds of poetic lexis with the socio-political praxis. The rest would be unthinkable, and it is impossible, that thought, that actually reads the first language, let the action of the word cultural and / or poetry distant from the affairs of the city to shut her the intimacy of private individuals, and leave the polls for a specialist capital turns, 'ethics' and ability to critique the political economy as well as poetic economy of the poem ego devoted to the lyricism depoliticized.
But now suspend this step (in front) and back, albeit briefly, and omitting the accent of polyphony aesthetic and poetic, to "Trampling the oblivion" is, in our opinion, a true free open source cooperative dell'eteregoneità set of civic and poetry. In that poem, called around to the common good knowledge of poetry, which gets his hands dirty with the historical and material reality of this sad and violent time, and without measure and compare it with the public only in the agora throws his arms language "aseico" and criticism of the trial. The initiative and the project anthology is not guilty of the lack of a monthly group, and already the "we" the general intellect poetic enter into collective action in / with "Trampling the oblivion" is in itself is a compass orientation qualifying. If anything, however, is to be commended for having the plurality of styles and languages, their writing of poetry and poets participating textuality as a singularity, the unequal equality rallied to reaffirm and defend the right and the value of antagonism and conflict. Salt, not unrelated to the very conception of individual individualistic liberalism, the life of a living community of democrats, who are far Trained as a zombie that would like the society of the spectacle and his government barker. Why are these
"100 Poets" "Trampling the oblivion" are collected and gathered there not only for the exercise of practical use the plural form of poetry, but also for the values \u200b\u200band practice of political freedom and social equality in 'substantial optical republican democracy (the model that has wanted to synthesize the "common" of the idea and practice of genuine democracy - not a revolution, not only promise kept - the political ideals of the various forces of the "resistance" were anti-fascist and today).
The common good that is won and bequeathed by the anti-fascist struggle, and then shared by the parties as set out in the "resistance" in the written agreement that is the Italian Republican Constitution (the charters, we must not forget, developed dialogically - ethics of public reason - from the group of "seventy-five" - \u200b\u200b75 - Arc Resistance), whose assets now is pilloried and threatened in our country, and under the patronage of the conservative regime and the reactionary right. The excessive power and the blindness of the "dictatorship of ignorance" that band of neo-liberal government in office, Berlusconi and ideology commodification of the world (effective regulatory and prescriptive plebiscite and advertising to all and sundry), distorts the soul and content of that Constitution, as well as to mock the opposition and the story with the spot of the "people of freedom" of pulp fiction. If
Enlightenment (not to go back again to Dante or the history of the birth of municipalities in Italy), the Risorgimento and the unification of the nineteenth century, crises, birth and fall of Fascism and building on the Republican (XX century) , literature, art and poetry have never ceased to care (and quite known what to talk about it in these few lines) of the civil dimension, social and political life of the country Italy, is very symptomatic of a cultural and political reaction will the fact that much of the government press, or of many of its members, today per hour, as reported by the news coverage, reacted negatively to the publication of ' e-book Trampling poetic oblivion and consents received. In a letter to
Micromega, David Note, a curator, differentiating between oblivion and trample trample the truth, he wrote ("The Crane", www.lagru.org):

"The tones are mostly ridicule and aimed to make a caricaturist reduction aimed at teasing towards participants, portrayed as a "battleship Potemkin "(Il Giornale) of old and" dark "(Free) poets nostalgic for the '68 and full of" hatred "against Silvio Berlusconi (Il Giornale, Il Foglio), and regarding the transaction itself renamed" Poets against Silvio "(Il Giornale).

Now, in this country, where the injuries (Bossi) institutions and the people do not count, and weigh the other hand keys (more or less spicy: see the events tied to the" Year Zero "... just to mention a more recent one) without administrators Italy-Company, and the Minister of slackers (Renato Brunetta) He trains himself to apostrophize Italian intellectuals such as "elites of shit", but the real offense is the acquiescence accomplice to the coup Caesarism consumed fresh air from the right by Berlusconi and the more virulent than downhill.
The poets can not help but rebel - Trampling forgetting is this entry - or remain as it thundered Breton, in the silence of the "priests".
It is certainly not a livable country whose socio-political organization collecting today is sent down, with the actual responsibility of those progressive forces and left, between the status of a private company / and hand / I / and the Mafia / and Padania and Berlusconi. A real coup Caesars who plays offense to the conscience cultural and ethical-political aspect of our history and the community rallied around the common good and, among other property, whether that is that knowledge and practice of writing meaningful textual poetry. Textuality of the aesthetic diversity of styles and established his own poetic singularity at each of the "100" gathered from / to "Trampling forgetting."
a "constituent assembly" just like "75" of the Constitution of the anti-fascist resistance and popular democracy.
So even now, as yesterday, poetry, always mocked and marginalized by the power and wealth and the mandarins of slavery, returns to claim his right to rebellion as a party, and directly. Called the "strength of memory" and the "memory of the resistance," the polyphony of poetry and aesthetic pluralism, evidenced by individual poets antologizzati but unanimous in the use of antagonistic conflict and its wording, has responded in chorus (rhythm polisemofonia) , thanks to team work in which the "difference" was the universal rather than an abstract and formalist canon. David
Note, in fact, points out that the new version of "Trampling the oblivion" is also the work of the "valuable contribution of the magazine" Argo "in the persons of Earrings poet and scholar Fabio Valerio Cuccaroni, poets and friends and organizers of Henry and Lucile Cerquiglini Santoni, "and that" this collection of poems is [...] quite diverse in style and content, ranging from intervention in the civil meditation metaphysics on the theme of memory, from the expressionist poem radiography post-human mutation of anthropological, as well as formally switching from the traditional meter rhythmic prose, or gender lyrical narrative to experimental. And this is also a good sign, showing that the disruption of critical culture in schools and poetic style of communicating is not autonomous and completely dated and no longer meets the requirements of the story in action. "
This new commitment of poetry, choral free open source, cooperative and non-hierarchical, that can not be signed as the new experimental poetry and avant-garde of a civil commitment, consistent with the multiple identities and become the new generation hybrid interculturally . Barbaro is the terrorist and the discourse of monolingualism that maims and impoverishes the master identity and unique processes antagonists!
A constellation concept, this feature avant-garde, that necessity and contingency of things in society and languages \u200b\u200bof the immaterial risen to the productive force and production relations of capital and profit-system class, risemantizzata be (the concept of matter and / or energy risemantizzati in various stages of scientific-philosophical models, from classical physics to non-Cartesian-Newtonian or relativistic and quantum-dynamical systems theory, not why they lost their name ).
The historical temporality, accelerated by the technological revolution permanent symbolic, does not leave anything of real estate. The mutation of anthropological "post-human" society of the spectacle and biotechnology, with its "ethical hyphenated" (S. Zizeck) has undermined the natural barriers of the same autonomy and independence of the individual will to resolve the humanistic-Christian civilization Catholic middle class. But not why the alien and alienating of poetic language can be less or cut ties with its polar tension, which governs the universe and the forces of social life of people with their own subjectivity and interdependent system, nor can opting out of an 'awakening' of ustorio tendency to burn the ghost reified the mirror.
is worth, then, here, to remember that for its configuration far from conforming to models of the past anthologies (bunch of flowers and Fiorfiore with the basic principle stated), this grouping is rather cut his sister " anti-anthology "- Poetry in Comice (Rome, Empire, 2008) - edited by Francis Muzzioli and Marcello Carlino. The 'anti-anthology which brought together thirty-seven (37) poets for a collection that is "as a field and a task which everyone is free to respond." The number of poets of the "resistance" then amounted to 137. If we add the other one hundred of the forthcoming "The unpoetic Mafia" Edition www.edizionecfr.it (Association poiein), reaching 237. It is a
quantoqualiativo enough, this fierce 'armata Brancaleone "poetry calendar for a revival of the trend-strength active in the area? It is certainly testimony and presence is not necessary to stop the way of an allegory reflecting the proceedings.

Which Is Best In Onkyo And Harman

Special Libya in November (from Ghadames to Maghidet). 12 days. Next departures

Day 1
Italy-Tripoli
Departure from Italy with a scheduled flight and arrival in Tripoli. Dinner. Overnight at hotel.

Day 2
Nalut-Tripoli-Ghadames
Along the Djebel Nafusah reach Qasr Al Haj, a small village on the road to Nalut foothills. It 'an opportunity to enjoy the absolute finest fortified granary of the region. It looks like a Mini Colosseum, where the cells were stored grain, oil and other foodstuffs stacked on floors, reached by ladders and overhead walkways. Then, going up the abrupt escarpment of the Djebel, there appears dominant Nalut, once an important caravan city. They remain today the ruins of the ancient Berber village, the small mosque with clean lines and beautiful barn still intact, a real hive, storage and shelter for the population. The vegetation thins out more and more approaching the "Pearl of the Desert, Ghadames, Saharan oasis unlike any other. Hotel.

Day 3
Ghadames Sightseeing.
The old architecture has truly unique: an incredible tangle of narrow streets and arches that run and tie between the houses and under the houses, providing air in summer and warm in winter. Every now and meet irregularly shaped spots, still underground, decorated with jagged edges, wall decorations and fresh seats. The contrast between the dazzling glare of white walls in the sun and dense shade of subways is violent. The old town is almost deserted, recently preferred the comforts of the modern, but some houses are now being restored to their original beauty ed utilizzate come museo o luogo di festa. Non è raro incontrare qualche anziano a caccia di un po' d'ombra e magari di qualche ricordo. Un tempo Ghadames era un importante centro che manteneva relazioni commerciali con i mercanti delle coste mediterranee e le genti delle ancora sconosciute terre dell'Africa Nera. La sua vicinanza al confine la rende oggi interessante per gli scambi con l'Algeria. Ma Ghadames è anche e soprattutto l'oasi dai verdi orti, dagli originali metodi di irrigazione a pettine, dai grandi bacini di raccolta dove l'acqua non manca mai, dalle palme di straordinaria bellezza che si piegano sotto il peso dei datteri. Visitare Ghadames significa affacciarsi al mondo affascinante del Sahara. Campo.

from 4th to 6th day

through the wide Hammada el Hamra, an impressive stretch of pebble gray moonscape. And finally, you reach the dunes Awbari, vertiginous ups and downs of the most exciting roller coaster. Dunes, dunes, dunes and more dunes! High, low, sinuous, sharp, star, a snake, half-moon, of various colors and changing, obligations, solemnly! The steps sometimes are not easy and you can admire the skill of the drivers, generally Tuaregs, recognizing the pitfalls of the terrain, the decision dealing with the slopes, in trying to walk the passage more suitable, to know thoroughly the desert. The arrival of the well is an unexpected chance to wash, refueling and rest in the shade of rare palm trees: a tiny green dot in a hostile environment. Then here's the Tassili of Maghidet, perhaps the most beautiful place in all the Libyan Sahara. A forest of pinnacles, a maze of towers emerging from the soft sand ... unimaginable landscape of sand dunes in the background of pink Titersine the edge of the famous Tassili n'Ajjers. And yet the recordings Aghum n'Uddaden with beautiful carvings of elephants, rhinos and cattle, we recall that the eastern borders of the famous Tassili n'Ajjers, a territory of 750 to 150 km of sandstone sculpted by wind, where for thousands of years men and women devoted themselves to hunting and they made love ... ancient warriors, farmers and ranchers here who tell their stories and celebrate their achievements with frescoes and carving the walls of their huts. . Fields

7 days from the 9th
the eastern borders of Tassili n'Ajjers
Guards natural Arghaia Aghum n'Uddaden Unexpected and the site of Wadi Karabtna, and longed for: a very unlikely track leads through a difficult territory to a slab of rock beautifully decorated with giraffes, lions and rhinos, precious evidence of the earliest period of art Saharan rock. The great figures represented here are very clear, with realism, detail and deep furrows and smooth. A surprise indeed very well deserved. Then it's time for Belgaramar, fabulous landscape of small towers that herald between the warm sands of the dunes soft Maghdar grilling and the huge "swamp" of green and black henbane Calotropis procera Aramat the mouth of the wadi. It 's just the beginning of a beautiful ride through the rivers flowing all the sand to the north, grazing land unchallenged for agile herds of gazelles and wild asses. The last, most distant, almost on the Algerian border, is Wadi Alone, whose bed, green, it's practically a forest of tamarisk. Inhabited since prehistoric times, is still the architect of one of the prettiest spots in the region: Tin Ahilen, a lake more or less water-rich (according to the abundance of the last flood of the river), the highest dune in the Erg Tanout Mellet . Unthinkable! Sinuous ridges around and play of light and Mouiass Ouan announcing the entrance of Wadi Aramat. The region is rich in rock art and here, just in Aramat, another surprise awaits the few travelers that travel up the river, entirely hidden by vegetation, a large, wide away from the ceiling is decorated with "polka dots" red, as if to make a 'imaginative and utterly mysterious plan. On the walls of beautiful and interesting paintings, including a wagon with driver and galloping horses of the most dynamic ever performed by the artists of prehistory. Then the infinite horizon rimmed by mountains of sand ... until Tachiumet Titersine ERG. fields

Day 10

The dunes behind the Mountain of the Spirits (scene of ancient legends and modern adventures), which stands from the horizon right in front of us and the cliffs are festooned Akakus a highly theatrical farewell to this superb corner of Sahara. You can reach Ghat, oasis dominated by the fort built Turks and occupied by the Italians last guerrra, which offers a beautiful view sull'uadi Tanezzouft. The oasis in recent years has been the subject of a work of restoration that covered the walls and the ancient porte.campo

Day 11

-Sabha Ghat (about 500 km) - flight to Tripoli

The valley of Wadi el Agial rich palm groves and villages at the foot of the dunes Awbari are the latest images that accompany us on the tarmac at the airport Sabha, in time for boarding the flight to the capital. Overnight at the hotel.

Day 12

Tripoli to Italy

Sympathy Quotes To A Sick

Summer Marsala voted the" City of Evil "

On 11 August 2010, Marsala "summer" has experienced an evening of protest to the program set up by the city glow decay. Following text and photos of the animation night of dissent. During stops
provided procession of dissent, among other texts and performances of various kinds, have been read and recited texts created two ad hoc
The "Manifesto of the Present" (by A. Scaturro) and "indigo in Kakan Ssss ... "A. Contilia.
The "Manifesto of the Present" (by A. Scaturro) was "played" by the trio play consists of the same Andrea Scaturro, Gianfranco Manzo and Luisa Caldwell (group photo).
The poem "Ssss ... indigo in Kakan", by A. Contilia several stops during the parade of dissent to the city center, was read together with Massimo Pastore (group photo).










MANIFESTO OF THIS
(Andrea Scaturro)

We want to sing love songs in the karaoke and the habit piano bar.
The catchphrase, the chorus and the elements will love the heart- essential elements of our show.
culture exalted for a little 'thinking, combining the restless summers. We want to enhance the culture, the aggressive action, discos, dances, inflatable boats racing, heels and smoking.
We maintain that the streets have been enriched by a new beauty: the beauty of roundabouts. A sports car full of tanned hotties that mount on large pipes like snakes with alcohol ... a roaring SUVs, which runs with subjunctives wrong, it is more powerful of the Landing of Garibaldi!
We want to tag the man who holds the glass, which is crossed by profile exclusive events for people of Origin protected, and overflowing with comments where grammar seems a service dall'Aimeri.
citizen must show that the fine clothes, luxury and smiles prepaid, to increase the collective enthusiasm leading to an original: "And we are here, all right, everything old, the humidity tonight."
There is no beauty nell'aperitivo. Any meeting that does not include glasses and toasted filled wind is a waste of time. The beauty must be conceived as a burp with a full stomach, sweating in the eyes of a drunkard man.
WE are on the head end of the West! Why should we not encroaching on the Egadi for dinner, if the ticket is included a good glass of local wine? With us time stops, space advances. We live in absolute not healed in two steps from the sea for two months of the year ever since.

We want to glorify the sun and the sea - as it were our own -, and reserves, because we reserved, salt, salt and salaams, and the pride and the pull to earn a living, the gesture of those who have nothing to say ; beautiful figure of the mother and the children of the contempt of those who descend from the countryside.
U.S. museums that want to destroy the "four old stones," the libraries where socially useless read but not speak ill, to build new parking facilities and revitalize the area.
we will observe large crowds at the foot of the beautiful Sleeping Lady of Sorrows in the well of Sybil's Cave in the den. We will sing "Hosanna in the highest painted blue." Sing and pray, pray and drink, drink and vote, vote and throw up in the heat of the sirocco nights in his undershirt; circles greedy jaws jaws eat, drink between the vapors of ethyl alcohol an outboard in the moonlight between the pontoons boats crammed with stagnant have been surveying the hapless survivors on vacation, and engines made up and thundering through the wilderness coast of the building, access after excess: huge trophies fortified by high walls behind which rises thetic Chinese ... the arrogance of the digestive grin middle-class ... And the formidable aircraft low cost, Celtic gods to be worshiped as the water in the desert!
E 'Marsala and Marsala that we launch this manifesto of the overwhelming Nothing with which we confirm today the present, because we want this city to deliver to adverse possession, as a puella pulcherrima in a troiaio, the management of a class more than fair ... fair: fair. It 'been so long since we admire this ride to the City of distinguished professionals voted wrong, now we want to rise above the most daring of luminescent and attractions along with faint happy and insane!

















Ssss ... indigo in Kakan
(A. Contilia)

there is a place ... the pool of brain
brothel consumer el'imagin
-ation is now at work and the power is
Matrix. Without the waste of the ass and mouth
anesthesia wireless
SS (department of defense)
arbeit frei autoerotic anesthesia for anyone
the Chinese are chicchirichìììììì

and is now overture, a cuckoo Kakan

cuckoo then, is your governance
indifférance band of thugs / sgarra
as garbage bins for auction
marsa-affected nights of tears and obscene
white ghosts
foot licking desert of the real
and cooking stew flic do
between gangs and cliques and castes incaste
nanoalitosi the anus flocked

Ssss ... indigo gaggle of Kakan
insoluble as the mercurial

many empty squares of pizza and abandoned
tarallucci
flashes scorn
gory ghost-thrusts
snacks and a drink and a apericena
without moon and already tipsy pearls
menhaden mona dementia

Hamlet is not the endless disagreement
zombies bent on revenge
but without a contract, and it seems almost insane god
Dieu Betis
voted to chat for debt
sworn jouisance
to produce custom-and-consumption, prosumers

like you do not like
feel the allegory of bodies in love
dreams screeching friction
the trait that is not
nitrites, and so the balance of the debt is stupid
that offer summer scenarios
idiots and a future without thirty pieces


and no par Dieu
blasphemy treason escaped from olive
any crime a thousand languages \u200b\u200b
tick spit accused

unsigned and six rejections
residence disobbligato
and Orfeo Negro in the news
sea plays an active government
the priest became the beloved
curare (god knows you on dit pas)

is "drôle de guerre" (war funny )

a joke for the truth and you lie in the ballot box
comforted by the sense
on tap with the City in aphasia and average retail price slashing
of Hail Marys

not plant trees for the revolution and the future open only
Refugees refuse to parking
attrition waste
majorities minorities honors
TNT to the bitter end to a desperate inequality
download partout en
lifting demand network was held
drones like a fly on shit

extra neo-neo than you are a neo
a black comprador
cidade for all and a leech bitch
a romantic couples celebrations and many infected
calimero like a short in the area without a condom


crest height after all six of
wrong and crazy gay
dunghill and whether the OAS has not done anything
is because you have not tried it
and why a dunghill private
little deviance are not wasted so
malacrianza cuckoo to Kakan

( NBIL poem "Ssss ... indigo in Kakan" A. Contilia several stops during the parade of dissent to the city center, was read together with Massimo Pastore

Grecian Formula Options

July 30, 2010 to the" two-cones " Marsala

Photo-poetic reading of an evening in Cape Boeo

What Color Does Remote Wire Connect To On Install

Next departures :

Iran-Armenia : 7-21 August 2010 (15 days).. Alamut-Tehran-Caspian-Bandar-e-Anzali, Masuleh, Tabriz, Kandovan, Kara Kelisa-S.Stefano, Meghri, Tatev, Tanahat, Alayaz, Yerevan, Hamberd, Tehran.

Details program www.harmattan.it

Iran : 22 September-2 October 2010 (11 days).. Tehran, Kerman, Kalut, Mahan, Rayen, Sarvestani, Shiraz, Persepolis, Naqsh-e-Rostam, Pasargade, Abarqu, Yazd, Nain, Isfahan, Abianeh, Kashan, Tehran. Program Details www.azonzotravel.com

Egypt, the desert and the oasis: 9 to 19 October 1010 (11 days).. Cairo, Fayyoum, Valley of the Whales, Bahariya oasis abandoned the Qattara Depression, Siwa, Great Sand Sea, the White Desert.

Program Details www.azonzotravel.com

Iran, "The real Persia" : 23 October to 6 November 2010 (15 days).. Tehran, Mashahad, and Torbat Jam, Tayebad, Bidokht, Chak-Chak, Yazd, Abarqu, Shiraz, Persepolis, Naqsh-e-Rostam, Pasargade, Yasuji, Bishapur, Isfahan, Nain, Kashan, Tehran. Program Details www.harmattan.it

Algeria, Tassili The Southern (Tin Rehroh ): November, date to be determined (13 or 15 days.). A large shipment Sahara in southern Algeria to the borders with Niger. Program Details www.harmattan.it

Care Package For Heart

Novel of Sicilian literature


from left (pictured): I. Apolloni, S. Lanuzza, A. Contilia and S. Pattavina

"Island" from the Broadway production of Stephen Lanuzza
Anthony Palermo Contilia



Presentation of "Island. Novel of Sicilian literature "(Alternative Press) by Stephen Lanuzza library of Palermo Broadway (May 14, 2010). It is the author of this book. Coordination of Ignatius Apolloni. Speakers and Sergio Antonino Contilia Pattavina.

Island, like Dante and others, is the book critic and essayist Stephen Lanuzza that is in non-conventional literature. Specifically, is the literary production Sicilian authors, and its peculiarity is in proposing it as a "novel."
"Romance of Italian literature," the first (Dante and others), "Romance of the Sicilian literature," the second (Island). A choice predicate
unusual, unconventional, one of our critical literature to refer to it as a novel. You might say, reversing the relationship between gender and species (as in a metonymy or a synecdoche), the species with its specific difference - the novel - takes the place of gender: literature. The subset takes the place of all general, who thus leaves its function inclusive container of parts.
and literature as a fixed object identity - the literature of a day that is always the same "(to paraphrase a thought of Gaston Bachelard) - which Lanuzza questions. The identity of the literature, like that of philosophy, that had to deal with and aim for and from other points of view, if the history of knowledge and knowledge is also dependent temporalization well as hypothesis-function (Galvano della Volpe ). So if yesterday
the literary work, for example, was a factum within the individual development of unified national consciousness (De Sanctis) or equivalence intuition-expression (Cross), then mirroring (orthodox Marxism) or monument and document (Michel Foucault) and minor language (Gilles Deleuze), différance (Jacques Derrida), etc.., nothing prevents us from seeing and propose the fictional literature as the phenomenology of a subject (taken metaphorically) that takes the form of dual-configurable reports dynamic between content and form of construction method and put to work. The objects of knowledge, as in the field of scientific knowledge is not standard, are (first) thought experiments that the factum of fielding a "technology" conceptual-imaginative, certainly unorthodox, and as such an abstraction in every way must relation to the concrete materiality of the rationality of the historical dialectic and speculative.

Every age has, in literature, and of course, not only this, that a peculiar language, with its meaning, expresses a number of essential meanings. Thus, changing the forms of expression but also changes, from the point of critical interpretation of the facts. There's a writing metaphor where words and things, symbols and reality interact animated by a single energy that will acco ¬ muna. There is, again, an expression assertive or 'solemn', in which, especially for poetry, a word meaning fully, 'prophetic', replaces a thought or concept. In this case, the language indicates an order of things having to do with a truth not appointed through procedures of consequential logic but for glimpses and short circuits. Finally, we have a descriptive language that, by excluding the imaginary, aims to trace the words on things. In the Italian literature of 900, with a body of work that epitomizes that of other centuries, contains all these modules, resulting in a versatility of meanings at times interconnected and, more often, distant from each other.

It's like saying that the purpose of literature is not naturalistically to explain reality, but to increase it "discovering" the new standards and that the newspaper does not allow. As with scientific knowledge and philosophy, in literature, the "formalization", to each his own field of knowledge, with its typical technical and methodological, conceptual, expressive and communicative, never permanently stabilized, establishes a complementary relationship-to-date, so that there is a real come true thanks to these same procedures to investigate significant.
In the two books of literature and Dante and the other islands and the identity of literature as an aesthetic object and fixed so that the real is being challenged. Because, as he had already seen the semiotics J. Kristeva (Matter and sense), when we discussed the status of the literature around post-structuralism and post-reflection, the literariness is rather a textual (like every single write a text) generating sense or practical significance, because "production and structuring of meaning" that not only significant or language already has a fixed meaning and working in the exchange and inter-communication. In writing
aesthetic-literary and poetic, there is a distancing dall'univocità homogenisation and semantics as the constant of textuality working relationship between form and content by becoming continuous war and the (socio-political and psycho-cultural subjectivizing) that through the report and the historical correlation. No
hypostatization identity can crystallize and then imprison the preaching of the word semantics literature, and not just because of the second level or "multilingual" - re-design and re-organization of the tongue base. The language of expressive aesthetics of literature and poetry, even if you think the other details of the historical context of conflict and antagonistic as they come up, and production is an ongoing revolution that is integrating "technology and content.
A "minor language", say G. Deleuze. Because that child is not more than literary language, but because it undermines the standardization with the waste and its semantics aseità complex. It is a language, the literary-poetic, in fact, where aesthetics is aimed at information-multivalent plural and polyphonic polysemantic as a change or difference that is altered continuously while the market mystifying to conflict with each use unique and homogenized. And this without disregarding the ethical-political bodies that may qualify, while in the east-style ethics, the fictional narrative of literary writing (in general) of Italian and / or islands.
literature as a novel is not surprising that much, then, where else in philosophy for example, speaks of Hegel's Phenomenology of Spirit as a novel or a fictionalized story of the spirit.
What is the history of literature, then, if not "properly, the story of literary or aesthetic value of certain texts of the autonomic" (S. Lanuzza, Dante and others), it is the choice of works and their artistic sense, is, again, selection of authors (from the Latin auctor: augere from the verb, which means increase, add) whose commitment is also of increasing, with their books, the reality. " The reality in the reality of literature that the shape is of secondary importance compared to the count ¬ Nuto, "because, if so, any written could be called literary. " The shape really needs its own autonomy (literary), although not isolated from historical and social relations, which manifests itself with its own phenomenology qualifies "as a series of short stories and novels."
is not surprising, then, that there Lanuzza present literature as a novel or a narrative where the subject is literary writing with its waste and its semiotic aseità same organic, a novel where the various chapters and authors that they populate, albeit in schematic conceptual characterizes them, are the various special achievements that animate the phenomenology of writing ISLAND. Exemplifying the maximum you can take this as a functional titles vari capitoletti del libro (fra l’altro espressi con i colori idiolettici propri della lingua siciliana):

‘A vucca parra e 'a menti studia; ‘A vuci passa e 'a scrittura rresta; Chi si ‘nto ‘nfernu? Si rnartiddìa; Cantava accussì ‘u cirrincinciò; Mégghiu mmìdia ca pietà; Varda '’nterra e cunta ‘i stiddi; Cu òpira jùdica; Nun diri quantu sai, nun fari quantu poi; Vossiabbinidìca; Mégghiu acéddu di voscu c'acéddu di jàggia;Nun éssiri bannera ‘i campanàru; Nìuru ccu nìuru nun tingi; Quannu nesci ‘u suli nesci ppi tutti; Si babbu o babbìi?; Sùrfaru sugnu; Cca ssutta no nails; nnicch Who 'and nnacchi?; The rebate' rriva and 'to no estimate; Cu arrinésci Nesci, Unni you tag Sangu Nesci, Unni cc'è cùrrunu apple' mosses; Avira a vrazzu longu el'àutru Curtu; Appréssu 'u pic the very veni; Cu of intra avi amaru not some' leaders sputàri; Munnu munnu and is held; D'u is fruitful develop the canùsci àrvulu; Pirch? Pirch dui fannu tri nun.

are various licenses ISLAND, as many people (spectators and participants at the same time) that is about telling the phenomenological Lanuzza "literariness" as a real ideologeme kristeviano which acts as a unique source of aesthetic writing itself.

Csaying For 3rd Birthday Invitation

Lanuzza Stephen and Celine, the "uncanny"

Lanuzza Stefano, DAMN CELINE A MANUAL OF CHAOS, Stampa Alternativa, Roma 2010.


The essay on the French writer, critic Stephen Lanuzza Destouches Luis Ferdinand, Celine said, has renewed interest and even controversy about an author who certainly has not failed to give his side the grievances and dissent for its clear and unequivocal position in anti-Semitic, and other allegations of undue "collaborationist" who attributed to him. The style of violent, irreverent and very far from the usual literary stigmatized dall'argot of banlieuses (where Céline plied his trade as a doctor without getting paid by the poor and the marginalized, Jews or non-Jews were the sick and poor), but filtered version of literary innovation (by altering the syntax, punctuation, accentuating the ellipsis el'esclamazione, known as the critical Lanuzza), certainly has not helped the doctor Destouches / Celine. Violent and delusional because of strong impact repugnant, but has had an effect and efficacy that led to the revolt more than the acceptance of this unrepentant and marginalized desecrator as rancorous and bilious stray, but sincere and dispassionate (disenchanted) as few both in thought and in writing. The repulsions are therefore immediate or reasoned argument.

On the other hand the reader can follow the path traced by Lanuzza through the signs that he left the same in every part of his book and as summarized in the index:
Celine. U'autobiografia ... Almost; Lexicon Celine-Dion as 'Nouveau Philosophe'; books Céline, Louis Ferdinand Céline - à la guerre comme à la guerre; Topics céliniani; first French edition of the works of LF Céline, selected bibliography.
But what interests this writer is not only the existence of the afflicted French writer, who has made revolutionary literary writing of its fuel (compared to the canon of distance and balance the emotional and passionate art-looking-good-Truth asked the writer), but the identity conflict of culture and civilization Western-European thought, the life and work of the cursed Céline summons. That identity - Moi meme - that coagulates around the values \u200b\u200band ideology of humanism and its various "ages", and not free of contradictions and paradoxes unresolved - that touch the lives and identity of each - not always addressed with honesty, intelligence at the same selflessness and objectivity and ethics of nudity that the "thing" demands.
Celine is dead and buried by unanimous consent, and conformist, and politically correct to voice sloppy maid urbi et orbi the master of all time and guidance. An ugly "race", this, of hominids that the "master-slave dialectic" Hegel-Marxist have only enjoyed the exchange value of slavery-body mental and socio-political, so enjoy the privileges of merchandise, a sure guarantee of the dominant ideologist, in the odor of life disgustingly acquiesce to any cowardice. Hang
Céline, then, is the decision of the MOI MEME Western bourgeois metaphysics and religious-political umanistoide, alias, memento, bad seed in place of the "banality of evil" or the nut that holds the thought of that little gray matter without autonomic "soul" and animus. That absence of fat pads that is well known that Hannah Arendt has denounced as bad uncritical thinking and deconstructed, revealing the instrumental use of anti-Semitic hatred as the only cause of persecution for those who were guilty of anti-Semitism and genocide Semitic. Hang
Celine. Hang him yet because his voice is unbearable for the poor and powerless liar humanistic conscience, says (to himself and to others who practice self-righteous alter ego moralistic in recriminations and varied and essence) the MOI MEME dogmatic, cutter heads and hardened spokesman of religious and political respectability umanistoide secularization of this post-modernist weak because murderer!
IO - MOI MEME - I can not stand, so I do not want to see, my hypocritical floating image, reflected and complementary in the likeness of God, spit on me the unbearable stench that animates me, or I Squaderno murderess on the squalor of humanistic unrepentant puppet and ideological soul. Unrepentant believer, to the mass killings and other pleasure-ad libitum orgies crazy (this is history-capitalist political status that I do not unworthily), I can not stand that scoperchino graves for the bodies of those who meet me lovingly, absolutely indifferent to God, in life and I slaughtered secula seculorum damned all'innominabilità, such as anti-Semitic Celine. That was only then that Céline anarchist and a communist rebel in any urtasse harnessing that his paradoxical to impersonate as an anti-Semite is not anti-Semitic. In fact, no evidence of this alleged crime abominable can be produced on a court (as stated in the book Lanuzza), while many respectable church and state that wander around there are galore, but do not have the dignity of the scapegoat Céline .
MOI MEME these politically correct (pennivendoli birds) does not recognize, for himself, no court or criminal court. Absolute headhunter thinking kills anyone did not like, fake or real is the action of the persecuted. The Divine Marquis (De Sade), an analogy to remember the persecuted Celine, to his interrogators and jailers have always said that he would never do anything of what he wrote in his masterpieces of literature heterodox, heretical. But the various
headhunters Israelis, and affiliates, undaunted, did not cease to persecute heretics, whether alive or dead. Since the war have continued to use anti-Semitism as farcical jus ad bellum. And their norimberghiani processes, involving the death penalty, yet still keep active the guillotine for the alleged perpetrators dall'ingiuria achieved under the 'law of suspicion' and the hands of the horde used to hunt witches.
shot dead and ostracism (including the same memory - and not just the author - as you can see in place following the resurgence of anathemas around the media or network) is anyone, properly or improperly, dare to take the questionnaire paradox of literary sarcasm, so colorful and explosive typical dell'argot Celina, or dare to revive memories anarcho-communist and desecrating the thought of Celine. Dion made no secret of his contempt for any bourgeois morality and its duplicitous Catholic and even the stupidity of the butcher totalitarian dictatorships of Nazism and Fascism and the criminal diversion of Stalin, as well as for aggression and vulgarity free of those who robbed and beat him on the street. The ruling
criminal punishment does not spare even his witnesses and documented more careful critics, who omitted nothing of the cursed life of the writer. They are the subject (not to mention the recent publication of the essay by Piero Sanavio, the "Virtues of hatred") which, as Stephen Lanuzza with his "DAMN CELINE-Owner of chaos", that contextualize the author examined in its political and historical time-examination with distance due critical. Do not leave out corner and closet that could shed light to do justice to the ontology and existential literary author examined, Céline. The Damned Céline, sorry to God and his enemies. the "uncanny," Dr. Freud would say that no one, however, would revive, remember.
Whenever his name comes back to show clearly and warn then it must acknowledge it, and even those who remember and he enlivens the need for truth!

Is Rhino Shield Worth The Price

Roberta Matera interview Nino Contilia


Contilia Nino Marsala's interview about his latest literary work
by Roberta Matera.





The last interview with the poet Anthony Marsala Contilia dates in late summer 2009. Our paper, then heard him on two particular events. One concerned the results of its interests in the summer evenings poetic "Ong non-extinct poetry" on the rock Marsala - notes "2rocche - Cape Boeo. The other touched her poetic and cultural production. In this case, specifically, our interview revolved around the recognition that the city of Sassari, with the prize of poetry - "The Island of the verses" (Sassari, in October in poetry) -, had allocated for its collective work - 'Elmotell blues (Navarra Editore, Marsala). The poet had, in fact, received the first prize for the section of the works published. But since then, the poet-philosopher - as the critic Stephen Lanuzza shows in his work (wandering in Sicily 2003; Island Romance-Sicilian literature 2009) - has continued its efforts and acquired other results. And that is what we intend to ask him some questions. Also because our newspaper, publishing writings, gradually was able to follow the thematic range and publications (debates, poetry, essays) and traditional on-line.

D. 1 - Once again, with his friend Mr. Fabio D'Anna, this year, monthly, at the of Merkaba Marsala, has pledged to continue (until June 2010) the poetry evenings "Ong extinct non-poetry." Your diary has planned meetings with the texts of Ferdinand Pessoa, Ossip Mandelstam, Ezra Pound, Bertolt Brecht, Paul Celan and Ferdinand Céline. In March 2010, for Papers "Collective R / Atahualpa", accompanied with an introduction by prof. Sergio Pattavina (professor of literature at the University of Palermo), released his new poetry I (s) dyad / The binary dell'Asiento. We want to say if there is a relationship between the two events, and synthesize something about the title of his book and his content?

R. 1 - Not only is there an ideal significant continuity between these readings evening dedicated to poets of the twentieth century (and even contemporary living) and my last book, but there is a real political and cultural harmony. A harmony that, while, in terms of poetic language, practicing as a speech allegorizing symbolization and meaning "revolutionary" than the everyday life and stereotypes circulating, I was on the other (s) dyad / The Binary ' asiento, including lyrical, irreverent humor and satire, is a real attack on the order of the power of our delusional and inauspicious days in Sicily, Italian, European, planetariums. Nefarious, this power of capitalism and liberal, why turn back the clock of history, democracy and human rights achievements of the same "vision" of liberal society. Pernicious because he wants a fence of slaves accustomed to the speed and depth without critical reflection, without thinking. He does not like and do not accept it subject to critical thought and action. The poetry of our evenings "Ong non-extinct poetry" and that of the texts I (s) dyad / The binary dell'Asiento, however, is a story of people equal and free. Subjects capable of action and thought - a broad and deep reflexivity (denied and prevented in the society of consumption and market meanings homogenizing) - and aimed at co-along of being plural. And / horizontal cooperation with this power, social subjects thoughts and actions aimed at keeping critical-conflict situations. No sugar or attracts the mousetrap to the emotions surrounding the collection of easy and confusing the consumer society and the "privatization". The "content", so to say I was (s) dyad / dell'Asiento The binary is exactly the opposite of revolutionary terrorism and racism in the state of the masters of power. The power that affects and disrupts the common good, love, social ties as the cultural heritage and the landscape and local not local. The power that claims the right to decide and life and death of each and every thing. The power of labor and the exploitation of nature is passed to the conduct and control of biopolitics and biopower, and against whom Michel Foucault and Gilles Deleuze have provided a more intellectual or cleric of the party, or master of the conscience, but as a person directly and another fighting for a society without social hierarchies. My book of poems I (s) dyad / The binary dell'Asiento moves in this line of thought and action, and in some texts also talk of how much (and not landscaped commons), even in our city / area , does not escape the nefarious marketing and profit of civil liberty.

D. 2 - We've read several times of his activities and non-fiction publication of another more complex weaves literary theory and engagement - engagement - with the poetic and philosophical and even scientific research with the same Marxist critique of political economy. Can you tell us what relations can relate knowledge that, at first sight, seem to be distant from each other?

R. 2 - The research essays accompanied, upon its release, my poetic writing and the type of linguistic experimentation that connotes. From the time of the review "Commitment 70" first, then "Commitment 80 "to" glimmers "to" ferment "(Rome)," barring unforeseen circumstances "and" Collective R / Atahualpa "(Florence) and new electronic journals (such as www.retididedalus.it, www.vicoacitillo.it, www.retroguardia.it, www.overleft.it, www.stilos.it ...) today, the publication of this essay is enough. I have already published (I remember a few): Poetry and Madness: body and shadow (barring unforeseen circumstances, 1988/1989), Philosophies of Poetry: The 'butterfly effect "(Molloy, Florence 1991), on the ruins and traces of a uninterrupted dream (opening, Marsala 1997); Antigruppo Sicilian - fragments of history, avant-garde and effort (www.vicoacitillo.it, Naples, 2003); know little foresight in (i) From the ethical spheres of Dante-Dante all'ipersfera Riemann (Brew, Rome, 2009); The poetic subject cognitive economy (Brew, Rome, 2009), broken symmetry. The Koch curve. The collective subject / avant-garde poetry and committed (www.vicoacitillo.it / Naples, 2010), Making poetry in Sicily (www.bollettario.blogspot.com / 'stub', XXI, No. 61, January 2010). Regarding the relationship between knowledge of poetry and the sciences (in general), using the tool of analogy, I might say, in short, that share a common capacity for abstract imagination, common rhetorical tools of investigation (such as metaphors , the principle of similarity, contradiction ...), and the ability to build worlds and alternative models. Universes of discourse plurisignificativi that enrich the knowledge as the practical ability of the subjects in a given historical context. Another paper - "For a critique of poetic ego" - and then fill the larger work broken symmetry. The Koch curve. The collective subject / avant-garde poetry and engaged, using an additional ana-logical path, try to deconstruct what substantializes and ossified remains of the universe (language and knowledge) of the discourse of poetry. Here, indeed, as in the political economy of capitalism, atomized individual consciousness (the ego) behaves like the "I respect the capitalist productive activity and its" constructive ". Both exclusive owners of the product placed in the common market. For one, the artifact (goods) is solely owned by him, and that its value is only as exchange value, profit oriented ad usum delphini individualistically enjoyable. For others, the artifact (poetry) is the only interior (perhaps distressed and abandoned ...) liricizzante and the sole property of the ego. Lyricism displayed on the counters at most of the market "naive and sentimental" (Friedrich Schiller) but only for the consumption of private subjectivity. And the latter increasingly reduced all'ineffabilità or, worse yet, locked emotionality boorish and sedative (discipline and control) of aesthetic spectacle today.

D. 3 - Finally, another question. Reading the various contributions made by her on several occasions and listening to the things we say in this short but concise and chat, it seems that in his speech runs an implicit point of view that is talked together economics, politics, poetry and common goods. And, not to be too vague, we refer to his action against the privatization of water, to his meeting (UNESCO, Erice 2009), the philosopher of science Ervin Laszlo or licenses some of his essays (mentioned here) as a poetic subject, the collective subject, knowledge-based economy, cutting-edge commitment, etc..

R. Briefly 3-(it would take more time and space ... for similar arguments). Like water, earth, air ... they are common property of / for all men, therefore, not private or privatized, so goods are common knowledge, knowledge, language, culture, poetry and art. Personally, with topics and texts of poetry, I choose to "fight" for the defense of common goods and political economy and cultural collective. A way of being-there, the latter removed from the law of the market value of robbery and use of the world market as the profit of private individuals, corporations, banks and financial exchanges. The philosopher of science Ervin László we were perfectly in line on this point: it is necessary for the good of all the world and each chooses a different paradigm or model or style of life than the privatization of science and subject to market profit and individualism. Yes that is an urgent need to restore the value of the collective and the individual over the collective patterns of vertical integration and the hierarchy of the past. We can not afford to mortify the sense of priority "we" and directly democratic social practice plural. Outside there is no life for no separate individuality, especially if sick of the "libido dominandi" (St. Augustine). The collective subject of poetry and the poetry itself, deciding to leave the room for intimacy opera isolationist "mingle" with the outside world and its historical materials, so they believe, is certainly a considerable stimulus in this direction. At a time when the language and communication have become productive force industrialization of new generation (post-Fordist industry), his language it escapes the approval and commercialization, and also because the subject, which over time has built the house, is manifesting itself in a collective common heritage of the poietic who gave him life and consistency.
The paintings of the cover, which enhances the semantics of poetry I (s) dyad, is the painter Giacomo Cuttone, and is titled "The island is not coming second."