Gallery Studio 71 (Palermo, February 20, 2010)
Anthony Contilia
Turi uses subtle colors like sharpened knife or beams of laser light to open, tear and stab the vacuum packed Pandora's box. It dissects and attacks him for "making" the invisible vibrant and full of matter on the canvas or other substrate surface and bend geometry. It changes the noise, I hear the fire crackling central atom does become stretched and stretched with fists shot and amorphous forms exploded. Does the same thing poet: Clear the emptiness of the blank page when de-cide the space, the shape and size with his estranged symbolic order and syntax.
If, as has occurred in "close combat. Turi Thin and poets, poetry and painting to meet each other say what escapes the capture of a language over another, then the research and the artistic and poetic of the union are more interesting and productive polysemy uncommon, as when two heterogeneous social bodies intersect and create a new hybrid that starts life with beat rhythms. A social
singularity, while talking with each item of its own, produces surplus value and profit rate semantic nature of artistic and poetic, in terms of exponential growth and because of the capital "constant" overall and "variable". A significant trend in productivity and sense of polysemous superabundant, tipping the equations of the downward trend in the rate of profit of the IO (Capital), the owner of individualism of the capitalist economy: decreasing the variable component and, instead, increasing the organic composition of constant capital, the rate of profit decreases due to the reduction of the workforce lives.
is the case of the collective "body to body. Turi Thin and poets. " And why, in "Body to Body. Turi Thin and poets ", the aliens of the word met at the crossroads textuality of the texts with pictorial Turi. The texts of those painting and poetry, as in a passage of trans-dures and mutual trans-lation, in fact they are mutually reflected in a simultaneous friction and gravitational expansion that has created other universes. Are the elements of the painter - point, line, color, folds, s-mergers and brush, roller and vibration of cross-e-bright beams of photons from phonological dark matter - who met with the alter-alter-ego the unruly elements of the poets, who were taken from the 'amour fou "surrealism of Breton, were tested on a journey" love "of poetic anabasis unique. A love
hybridization and rebel against the conventions of genre and specific difference. A nexus and an eros that is embraced by the elements of the poet - symbolized the voice of twenty-two among the most significant poets of our times. The item that was made by letter or program, term, inserts and linguistic fragments such as flights that pass through the painter Slim, "the great sea of \u200b\u200bbeing" Turi, as he said the art critic and poet Aldo Gerbino the evening of the exhibition in Palermo (20 February 2010) at Gallery Studio 71. Vinny also intervened Scorsone, a young art critic. Ms. Scorsone has written and said as the work of the Sicilian painter ("terror / southerners / terrognio" Slim, the Sicilian-errant, as we have each qualified with knowledge at the time of Turi) capture "the attention of the casual visitor, forcing him to dwell on a phrase, even just a word."
A "contamination of languages," as he wrote and designed, with a Turi, the poet Ciammaruconi Maria Teresa, the great absence of that evening. It was held in Rome from commitments can not be derogated. Absence, without which, however, "Body to Body. Turi Thin and poets "would not come to Palermo and would not see even the first morning of his birth. And we would not have had the pleasure to enjoy the dance of the syn-bállein - the plunge together - Poetry and painting in the eyes of the painter and poet in the correspondence of amorous senses and intellect that sees them together while turning the vacuum challenger with the colors and the words of the symbolic-semiotic training.
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