Wednesday, March 9, 2011

Lab Discussion About Cells

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one to many, and Cittadellarte 1956-1974. Pistoletto to MAXXI to a new civitas


Author: Matthew Antonaci

and double what the MAXXI exhibition from March 4 to August 15, devoted to Michelangelo Pistoletto. Nate in collaboration with the Philadelphia Museum of Art and curated by Carlos Basualdo, the two exhibitions (one to many , from 1956 to 1974 and Cittadellarte ), as suggested by Anna Mattirolo, director of Arts Maxxi, have the ambition to analyze the artist's work according to the only thread that is explicitly indicated by the title.

One to Many, in fact, that is by the artist to the viewer, from the opera company, Cittadellarte to get the project started in 1994, through which Pistoletto pursuing the idea of \u200b\u200ban art capable have a strong social value. The symbol for infinity (sung by Gianna Nannini engaged in Cittadellarte ) is the logo of this new project, which unites various segments of society. From communication, politics, fashion, food, for that could serve as a civitas Third Heaven, the synthesis of terrestrial life and its reflection in the imaginary paradise, an island civilization that recreate, through freedom and responsibility that contemporary art has taught. Words, apparently rhetorical, that despite everything, Pistoletto unable to use with meticulous attention through the theatricality that pervades much of his work and the ability to create brands and economies - as is typical of much contemporary art - but at the same time, to make it the object (res ) intelligible and admired by the whole society - something that contemporary art can do fewer -. Read article

MOTHER without peace. Look at the Museo d'Arte Contemporanea Donna Regina in Naples

Author: Frank Caputo

not appease the Mother season tension. Beyond the recent controversy stemming from the costs and funds for the museum after the controversy regarding the tasks for direct call, turns on a new contrast between the Campania Region and Donnaregina Foundation for Contemporary Arts (created in 2004 from their region) of any changes to the Statute of the Museum, not approved by the Board of Directors of the Foundation but deemed necessary by the regional government to safeguard the future of the museum institute.

So the Foundation Board of Directors, in its entirety, at its meeting on 16 February he resigned, sent by registered mail the next day, "For a sense of responsibility and in keeping with the dignity of the role previously covered [...] thus avoiding the occurrence of an institutional conflict with the Campania Region. " The performance of routine tasks will be made by the Board of Directors - composed of the President Oberdan Forlenza, Vice President Achille Bonito Oliva and the director Enrico Santangelo - up to future appointments, which "[...] hopes, in the interest of the Foundation, takes place at the and soon. " Read article

Nomisma Value (2006-2010) on the Italian market antiques

Author: Fulvio Chimento

On 14 February at the XXV edition of Unica Modenantiquaria, Nomisma presented his report on the art market for goods produced with the help of Unica. Nomisma is an economic research company, founded in Bologna in 1981, who shall act as monitoring local, national and international, with a focus on the real economy. E 'then one of the leading private research institutes in Europe. The debate that took place in Modena, the exhibition hall was attended by Marilena Pirrelli (Sole24Ore) as a mediator and, among the guests, to Fabrizio Moretti (President Moretti Fine Art Gallery located in Florence, London, New York), Paul Manazza (economic expert of the art), Mario Scaglia (collector) and Peter Ripa (executive officer Monte Paschi Siena Research Area). A number of the insights provided by the comparison and the reasons for the conference, among the guests was not missing a certain polemic that has helped make fascinating discussion. Here is the net difference of interpretation appeared in the measure with economic data that relates to a matter in some ways as abstract as the one linked to art, industry sector in which there are many rules yet unwritten. Read article

Festival in Faenza - patrons and collectors are the themes of the fourth edition


Author: Matthew Antonaci

was held Thursday, February 17 at MAXXI Rome when the fourth edition of the Festival of Contemporary Art to be held in Faenza 20 to 22 May 2011. Forms of collecting / Forms the client is the title of the new edition of the festival conceived and founded by Alberto Masacci and Pier Luigi Sacco, under art direction by Carlos Basualdo, Angela Vettese and the same bag, he chooses to investigate the mechanisms for commissioning and collecting contemporary through multiple points of view. Artists, curators, market professionals, collectors and other players in the world of art, as museum directors and foundations nationally and internationally, will be invited to compete in Faenza for three days entirely dedicated to the art system. Patrons and collectors, then, as the two poles through which to analyze the dynamics of contemporary art, in a split, first language, he sees the word "client" translated in English "Collecting." Carlos Basualdo is the same, during the meeting to MAXXI to explain this apparent ambiguity. Abroad, said Basualdo, there are no such direct forms of patronage, such as those that characterized the history of Italian art and it is in our country, in a period of cuts to culture and economic crisis, at a time history when the social importance of that client is lost, we must recall that this concept also to urge a responsibility on the part of institutions. Go Article


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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