Monday, January 10, 2011

How To Pull Off A High Waisted Skirt

The seed and the struggle of the poets of "Trampling the oblivion"



(from left: Natalia Paci, Nino Contilia, Valerio Cuccaroni, Davide Nota, David Gariti, Beppe Costa, Matteo Fantuzzi, Fabio earrings).



Document opening of the Second National Assembly of Trampling oblivion "Beba do Samba" (Rome, January 8, 201)
(read by David Note)


Why students do not share in revolt revolt of the poets and the poets ignore the contents of the meetings of the universities?
Why does the world of journalism do not really care about the fate of writers exiled by the Italian company and vice versa? Why
entries of temporary workers are not intertwined with the education of new musicians and harmonies with the reflections of the new intellectuals forced to flee?
How come every aspect of the culture of Italian society lives in this form of separation its crisis and its strife towards national ideology most ignorant and arrogant in Europe?

Trampling oblivion, that beyond the pretext anthology of one hundred poets united against removal of the memory Republican has long self-development in the form of a large spontaneous movement of revolt against what we have defined the three decades of cultural disruption and removal of critical consciousness, poetry and art by the Italian media, means that a large and growing portion of generation does not intend to resign themselves to silence in the face of cultural desertification of his country, if that desertification can be defined succinctly, "Berlusconi "more properly is the story of three decades of national life, thirty years christened in 1978 with the founding of Telemilano cable and from which, with too many silences or consents to the left, began this project ill for peace and national unification lobotomy based on mass media and the pedagogy of disengagement, disinterest, indifference and finally the most vulgar cynicism, we live in today the most obvious and distressing consequences.

national anthropology founded on the dogma of the disenchanted, the mass of solitude and individualism without individuality, in which the royalties but necessary and unavoidable liquid and postmodern society have been harnessed and channeled into one of the scariest tasks relocation, and namely design, devastation of conscience, memory, perception of the same size and time of approval around a single, uniform collective unconscious represented by the Italian television show, which has shaped over the decades in his own image and likeness of a community lost and drawn in heavier regression and cultural anthropology.

What we have defined this year's struggle as "the ideology of separation (between social roles, environments, genres, individuals) has managed to take root in the general silence in the DNA of the body that was healthy, the resistance against Fascism to the symbolic death of Pasolini, a real coordination of production and distribution of plural cultures, attitudes and consciousness as foreboding and presentiment of a country to be built in the continuous exchange between alliance and artistic ferment, lively journalism, in-depth education and university research.

The three areas that we know how Today they are called in representation, yet not necessarily symbolic and scientific, the art world (the production of works), the world of higher education and the world of cultural journalism related to that portion of the political vision that should have at heart a ' idea of \u200b\u200ban alternative society and development, based on democratic participation in public affairs and development of opportunities for learning and cultural diffusion.
To date, as is evident, these three living environments and carry out their separate paths to an atom, even when their intentions to fight naturally converge towards the same goal which is to overcome the national historic quagmire.
are here Peter Spataro, deputy director of L'Unità, Kathy Cuddihy, director of the Left - Events, who have already shared our campaign last year, Angelo Mastrandrea, deputy director of Il Manifesto, the daily, Liberation and others.
We have also invited some cultural references of the political world to let them know of our reflections. There are the Democratic Party and Matthew Orfini Stephen Brai Refoundation Communist, while SEL project a short greeting by Nichi Vendola is now abroad, but that will soon have to hand the documents that will follow the meeting.
also find some of the CGIL trade union COBAS and national, as well that several other guests who will present during the meeting.

The meeting will be video footage from some of the young directors of the School of Cinema ACT Cinecittà, in the coming months we will make a documentary about the revolt of the poets, the student movement and labor struggles taking place against the blackmail of the great economic asset against defenseless individuals as separate, documentary which will be widely disseminated on the web and in every town in Italy to amplify in all its forms and brought the potential of this campaign.

Returning to the issue of culture, and specifically poetry, we should perhaps ask why a community - even left - did not consider it necessary to hand down a more education and sensitivity that ultimately is the ability to share a comprehensive vision and related phenomena in the world, so even a sonnet about a scenic view of the world, relationships and consciousness that a historical individual has of himself. What happens in the text is always a way of thinking and interpreting context.

is a company, or rather, a mix of powers that dominated the last thirty years the Italian company basing its social control on the break-up of individuals and the forced separation of the phenomena to which all the existing real appear arbitrary, unknowable and inflexible , could not be radically and of course the enemy of poetry, as it has been unconsciously enemy of any space for reflection and socialization is not translatable into statements immediately exploitable and expendable, the fact that space power has removed the first Italian and then the communication from the Royal Society . This is forgetting that we want to tread on.

Trampling oblivion, as it is clear that is no longer just a book but a cultural movement is free, spontaneous and heterogeneous, raised from the moment the establishment of an observatory, open and plural, on the question of Italian culture.
hours is too early to discuss the forms and periodicity that this instrument could take but it is important to begin to think of it as a necessary perspective: round table discussions of the cultural left and the workshop of critical thinking.

an open place and meeting place for several more fraught with questions and answers of an orphan: editorial writers crushed by criticism and indifference on the quality of the media, publishers massacred by monopoly distribution and sales processes, surrounded by students and researchers each side, from a policy of cuts and intensive use of temporary work as well, and can not be concealed on the left, from the feudal barons that exist that are almost the norm of lobbying localistic Italian and should not be accepted.
Anthropology feudal sometimes be found even in the press that we considered a friend, not always able to recognize the value of a new work, a new phenomenon, a central issue in the ongoing cultural debate.

An observatory in the form of round table that should not and must not lead to a new environment, new friendships confidential but closed in a free, open and participatory site. If we are sincere
alternative to an age-old policy based on the abolition of the suppression of thought and culture, we must begin a new foundation and together find a place, real and metaphorical, mental and physical unity and discussion, sharing and discussion, even if a clash of growth. Considering all the
as one big open question: the question of Italian culture.

This is just a seed, now let the wind in the form of the word. Good meeting.

Monday, January 3, 2011

Desmume Mac Action Repla

National Assembly of poets in Rome



THE ITALIAN CULTURAL QUESTIONS IN
II NATIONAL ASSEMBLY OF "WALK LOSS"
Saturday, January 8 Ahttp: / / www.blogger.com / img / blank.gif ROME
with a hundred POETS AND ARTISTS FROM ALL OVER ITALY, NEWSPAPERS AND REPRESENTATIVES OF THE LEFT, TRADE UNIONS, journals, associations,
STUDENT MOVEMENT AND AN INTERVENTION OF VIDEO-Nichi Vendola


Saturday, January 8, 2011, at 17, at the headquarters of the cultural "Beba do Samba" in Rome, in Via de 'Messapi n.8 (San Lorenzo), will host the Second National Assembly of' Trampling 's oblivion ", organized by the" Beba do Samba "(www.bebadosamba.it) and magazines Crane (www.lagru.org) and Argo (www.argonline.it).

"Trampling the oblivion" is a great project poetic and cultural platform of the Web has resulted between 2009 and 2010 in a work in e-book format, which has sparked a heated debate on the major Italian newspapers (The Unit, Left, Micromega, Other, Il Corriere della Sera, Il Giornale, Libero, Il Foglio, Il Manifesto, Radio 3, Radio 24), and a first national assembly of poets, which was held on January 8, 2010 to Beba do Samba Rome.

When submitting a paper version of the anthology "Trampling oblivion. Cento Italian poets against the unconstitutional threat to the strength of Republican memory "(Argo - Cathedral, 2010), the coordination of the poets in revolt indicates a second meeting of" Trampling forgetting "to take stock of the dramatic question of culture in Italy putting dialogue in the world of art and poetry, journalism cultural and academic knowledge.

How come students in revolt do not know the revolt of the poets and the poets do not attend meetings of the universities?
Why journalists do not have at heart the fate of exiled writers from the Italian society and vice versa? Why
entries of temporary workers are not intertwined with the education of new musicians and harmonies with the reflections of the new intellectuals forced into exile?
How come every aspect of the culture of Italian society lives in this form of separation its crisis and its strife towards national ideology of Europe's most ignorant and arrogant? We will try
January 8, during the second National Assembly "Trampling the oblivion", to reassemble the pieces of this mosaic together talking of "The Italian cultural issue."

will be present: Peter Spataro

- Deputy Director of "The Unit"
Kathy Cuddihy - Director of "Left"
Tonino Bucci - Head cultural "Liberation" Malcolm
Pagani - The Fact Daily Azzaro
Angela and Andrea Colombo - Others
Tommaso Di Francesco and Geraldine Colotti-The poster

Orfini Matthew - Head of the culture of PD
Stephen Brai - Head of Culture of PRC leaders, cultural
SEL
Video-intervention Nichi Vendola for "Trampling the oblivion"
cultural representatives of the Young Communist

Representatives of the student movement and university (Ateneinrivolta, Coordination K5 Oriental Studies, we hunger for culture, self-ESC, Political Science RomaTre) and unions (Cobas, CGIL).

The meeting is free and forms of participatory democracy. Anyone who wants to speak will have the right to speak.
The entire meeting will be video-documented by MeddleTv and some young directors of the School of Cinema Cinecittà ACT, which will make a documentary in the coming months.

From the world of culture, literature and poetry joined the contemporary, from Palermo to Milan, hundreds of individual poets and writers, associations, publishers and editors of magazines, filmmakers and artists, including

 magazines, web-zine and blog: Absoluteville, Versodove, Blanc de ta Nuqui , Metromorfosi Infocritica, Post It, the first love, and other stub;
 groups: Sugar, Milanocosa, Aidoru / Valdoca, Psychologies, Women dasud, Turn Left, Centre national asbestos Azimut Onlus, Rome Gasper, SCEC Archipelago, poetic license, and other Meddletv;
 editors: Pellicanolibri Area, Fara publisher, Senzapatria, PoliMi and others.

PROGRAM:

Assembly from 17 to 20 public.

From 20 to 21.30 Social dinner

From 21.30 to 22.30 of Poets Reading in revolt: the presentation of the final printed version anthology "Trampling the oblivion" (Cathedral, necklace Argo, 2010). From 22.30

Concerts: Bread and the founder of the Canzoniere del Lazio Piero Brega.

With prayers for the dissemination, publication and participation.



Event by: David
Note - Magazine "The Crane earrings
Fabio - Ass.cult. "Beba do Samba"
Valerio Cuccaroni - Magazine "Argo"

Thursday, December 23, 2010

Card In Shape Of Shiv Linga

Poetry "impure" policy to "Beba do Samba "


Poetry "impure" policy of "Trampling the oblivion" in the assembly
"Beba do Samba" (Rome) - January 8, 2011 by James

Cuttone

January 8, 2011, 100 poets (Contilia A., R. Roversi, G. D'Elia, N. Paci, M. Cucchi, B. Costa, N. Cavalera, N. Balestrini, L. Page, N. De Vita, L. Socci, D. Note, F. earrings, M. Lenti ...) of "Trampling the oblivion" will meet again to "Beba do Samba" in Rome to present the book in its edition (second) paper. The work, now it comes to the types of Cathedral / Argo (in collaboration with the Association Nie Wieme). The first presentation (and the first edition of the 100 poets) in the form of e-book, was the January 8, 2010 (always the "Beba do Samba").
The second presentation (such as an anniversary) will also, again, an opportunity to discuss the deterioration of the current world system and the characters, to say the least, low alloy or short stature, who administer it. In Italy certainly rule to increase the GDP of the private-breakdown, youth unemployment, and impoverishment of the "sans" means no rights, no home, no job, no conflicts antagonists, without poetry, without an alternative culture and politics, etc..
The work, as we know, had a first edition (electronics) e-book formats. The editors were David Note, Fabio earrings and the portal of the poem "The Crane" in collaboration with the "Argo", "The Unit", "Left". Today, the volume, in its elegant print edition, in addition to the note "A secular miracle" by Luigi-Alberto Sanchi, also carries an introductory note by Valerio Cuccaroni.
The constant, worthy of note is that these one hundred poets (with different styles and languages, but united in respect of the Italian Constitution and the values \u200b\u200bof anti-fascist resistance) have raised a hornet's nest of interventions. There have been controversies and inane invective for cutting anti-system of the book by the family of Berlusconi. The texts of the poets, in fact, do not avoid or the positions taken by "anti" or the pitfalls of critical thinking. After all everyone knows that the regime of Berlusconi, one of the faithful execution of the sinister liberal modernization of class, and his gang of organ-grinder, or do not like the divisiveness, nor the anti-fascist republican democracy.
Strange, though, is that people like Adriano Sofri they are, apparently, on the same lane that follows a denial or removal of political-cultural critic to the work of the authors of "Trampling forgetting."
so that, at this point, we like to return the response from entitled "Those poets off the hot tin roof. A reply to Adriano Sofri ", the book's editors (David and Fabio Note Earrings):

" I was looking good and on the roof of my building / when suddenly you come to drive away with a pool cue / as if I were a urlandomi cockroach that are good for nothing.. "

"is the verses of an Italian poet, born in 1974 and from the roof of his palace was launched last year, flying against the world, they bade farewell to the life and Italy.
He has left two important books and pieces of what is considered essential to the generation of Italian poets of the first decade of the millennium, Adriano Sofri that knows neither read, simply pontificate on "La Repubblica" on what to ignore, as if forgetting the entertainment and media in relation to the poetic genre can be considered a form of reality, at least so far as its intellectual adjacency the official representation of the communication of culture and not an act of conformism (the reference is all to the article "Those guys on the roof of a country without poets," published in La Repubblica "on 27 November 2010).
In January 2010 one hundred Italian poets have joined in the meeting flowing into the most important and widespread civil work of poetry in Italy for "Trampling the oblivion" of a country without historical memory, democratic culture and common planning.
challenged the exile of poetry and art from the public debate and interdisciplinary, exposing the seriousness of the issue of culture in Italy and also in the small environment of journalism of the left, where the confusion between the concepts of art and entertainment, culture and living room continues to reign supreme. Many Italian newspapers
hosted, gave voice mocked or cheered the case of the "Poets in revolt." Some protesters even raised their verses written on some billboards in the B-No Day in Rome, as testified by the daily newspaper "L'Unità".
traveling at his own expense from all over Italy, joined the hundred poets in self-managed meeting in Rome's San Lorenzo, along with students and temporary workers. Where
looked Adriano Sofri, in those days? Just
him that if he had wished he could make the wave of spontaneous cultural revolt and poetic as a matter of urgent policy and programmatic for the whole of Italy and the Left to be redone?
The poets were there, off the roof, because the roofs are not the only place to meet and make their voices heard, dear Adriano Sofri, but with eyes fixed to the roofs, the roofs of leachate bells, to the roofs Aquila destroyed, the roofs of abandoned asbestos factories, the roofs of shame detention centers scattered throughout Italy and dilapidated schools or reduced to an impenetrable barons and fiefdoms.
poets is that they are well down from the rooftops, as the towers, which are on the streets, among people who watch and give voice to those who did not have voice.
These same poets, and this time hopefully some representative of the newspaper in which he writes, will meet again Saturday, January 8, 2011, from 17 hours at the headquarters of the Cultural Association "Beba do Samba" in San Lorenzo, for the second National Assembly of "Trampling forgetfulness," where all souls criticism of this country will be called to intervene, to confront, to analyze the social, cultural and policy of this shameful moment in history, discussing its exclusion of the Poet, Soul of dissent, memory and change, the key areas of Italian culture and communication.
It will perhaps be the best way to remember together, not death but life, poetry and hopes of Elsa Morante, who continue to sparkle from these gray roofs and crumbling of Italy. "