What Episode Does Bulma Yell Vegeta I Love You

The binary dell'asiento

I (s) dyad / The binary dell'asiento


For Papers "Collective R / Atahualpa" (Florence, 2010), comes the new poetry of Anthony Contilia I (s) dyad / The binary dell'Asiento . The introduction was done by Sergio Pattavina (University of Palermo).



introduction by Sergio Pattavina:

[...]

[...] Among the subjectivity of the poet with his abstract principles of liberty, equality, solidarity, peace, establishing a acrimonious disagreement with empirical reality made of exploitation, imperialist wars, old and new fascism, racism, giving rise to invective, irony, the most tricks in-sensible "for disarticulating the speech, the twisting alchemically language of text (literary, journalistic, television) has the power, the prerogative of the ruling classes. Not
We can not be observed, en passant, some chromosomal affinity with the "saturated" Latin, between Martial and Juvenal, that is, with that kind of transition that developed in imperial Rome, in the process of dissolution of classical art and the slave society, the whose essence is, according to Hegel, that "a virtuous soul that remains negated the realization of his conscience in a world of vice and folly, turned with passionate indignation or subtle wit and icy bitterness against a finding that is before , ridiculing or angry with the world that directly contradicts his ideas of virtue and truth "(Aesthetics). The outcome of this
attitude, the rhetorical and thematic landing, the flight can not be certain, neither existential nor language, from the present ("a premise without promise, insomnia / clotted where the desire to surf the anchor / poetry by the wonder gaze / look for a link to the embrace, and time / the time the predator is 'again', "in Exodus), as subjectivity is linked to being, but the poiesis bends and deep thinking in research of images that can bring up the critical distance, ideological and experiential-from being there, and hence some of the issues mentioned in the titles and verses from Contilia: exile, the exodus, the journey, the sinking, the sea, the rocks, the shore, and the transition boundary between us and the other from us, and finally, taking the interpretation of I (s) that I mentioned at the dyad 'beginning, eros, affirmation of our identity through the other, the boundary line and unity with the missing part of us, that power can not keep completely under control.

Compression Hose Sprain

Godot does not show up! So who cares who's talking!

Ong poetry to non-extinct Merkaba
(diary from March to June 2010)
Godot does not show up!

After the success of the evenings of poetry readings at literary Coffee (Merkaba) of Marsala, and especially the homage to the poet Fernando Pessoa (February 20, 2010), the NGO non-extinct poetry, coordinated by the lawyer. Fabio D'Anna (author of Marsala) and Anthony Contilia poet, presented his poetic and literary program until June 2010. The expiration of the meetings is always the order of one per month (Changes to promptly notified), and from 22 to 23 hours. Diary of events: Sunday, March 21, Friday, April 30, Friday, May 28 and Friday, June 25, 2010.
The NGO non-extinct Marsala hopes of poetry, as evidenced by the photos reproduced here, there is a greater influx of direct participants and readers.



Poetry "inform" and "form". J. Bruner wrote that poetry is "a world in the subjunctive." In addition to being aesthetic enjoyment and thought, the plan of his pleasure-east of ethics, conveyed the symbolic-discursive order "typical" of his language, communicating with the readings of the world, is an interpretation and proposition of alternative or parallel worlds. The novelty of
21 (Sunday) in March, compared to the traditional last Friday of each month, is justified by the fact that UNESCO has declared March 21 (coinciding with the arrival of the astronomical spring) World Day of "party" dedicated to poetry.
The theme, which brings together research agreement documentary - the texts of poets as documents of an era, of his "visions" of his conflicts, grievances, and abhorrent desecration ... - "Godot has not arrived! So who cares who's talking. " And the authors are in the middle of the night Ossip Mandelstam, Ezra Pound, Bertolt Brecht, Paul Celan and Ferdinand Céline. If
"Godot" has not liberated the world, but has undergone extreme suffering and self-destruction, we will see with these poets / writers and through their creative legacy. Moreover, the violence they have witnessed, and sometimes even "accomplices" more or less aware, today is still on duty. And look case are the same players "faber" civilization, the continuation of the same humanism, democracy and liberalism which weapon their hands and their exploitative policies and planned extermination of people, biodiversity and environment. The images out there, and certainly do not lie. And if that serves to refresh our memory, with Octavio Paz, we can repeat that poetry "is the memory without image and the image converted to voice." So there is no better opportunity to attend the meeting of items that everyone can be heard, strengthening the presence of Marsa-injured at poetry evenings organized by the Merkaba 'Ong non-extinct poetry.

Kate Playgroud Wikipedia

The combination of the arts: "Body in body. Turi Thin and poets "Ong

Gallery Studio 71 (Palermo, February 20, 2010)



Anthony Contilia

Turi uses subtle colors like sharpened knife or beams of laser light to open, tear and stab the vacuum packed Pandora's box. It dissects and attacks him for "making" the invisible vibrant and full of matter on the canvas or other substrate surface and bend geometry. It changes the noise, I hear the fire crackling central atom does become stretched and stretched with fists shot and amorphous forms exploded. Does the same thing poet: Clear the emptiness of the blank page when de-cide the space, the shape and size with his estranged symbolic order and syntax.
If, as has occurred in "close combat. Turi Thin and poets, poetry and painting to meet each other say what escapes the capture of a language over another, then the research and the artistic and poetic of the union are more interesting and productive polysemy uncommon, as when two heterogeneous social bodies intersect and create a new hybrid that starts life with beat rhythms. A social
singularity, while talking with each item of its own, produces surplus value and profit rate semantic nature of artistic and poetic, in terms of exponential growth and because of the capital "constant" overall and "variable". A significant trend in productivity and sense of polysemous superabundant, tipping the equations of the downward trend in the rate of profit of the IO (Capital), the owner of individualism of the capitalist economy: decreasing the variable component and, instead, increasing the organic composition of constant capital, the rate of profit decreases due to the reduction of the workforce lives.



is the case of the collective "body to body. Turi Thin and poets. " And why, in "Body to Body. Turi Thin and poets ", the aliens of the word met at the crossroads textuality of the texts with pictorial Turi. The texts of those painting and poetry, as in a passage of trans-dures and mutual trans-lation, in fact they are mutually reflected in a simultaneous friction and gravitational expansion that has created other universes. Are the elements of the painter - point, line, color, folds, s-mergers and brush, roller and vibration of cross-e-bright beams of photons from phonological dark matter - who met with the alter-alter-ego the unruly elements of the poets, who were taken from the 'amour fou "surrealism of Breton, were tested on a journey" love "of poetic anabasis unique. A love
hybridization and rebel against the conventions of genre and specific difference. A nexus and an eros that is embraced by the elements of the poet - symbolized the voice of twenty-two among the most significant poets of our times. The item that was made by letter or program, term, inserts and linguistic fragments such as flights that pass through the painter Slim, "the great sea of \u200b\u200bbeing" Turi, as he said the art critic and poet Aldo Gerbino the evening of the exhibition in Palermo (20 February 2010) at Gallery Studio 71. Vinny also intervened Scorsone, a young art critic. Ms. Scorsone has written and said as the work of the Sicilian painter ("terror / southerners / terrognio" Slim, the Sicilian-errant, as we have each qualified with knowledge at the time of Turi) capture "the attention of the casual visitor, forcing him to dwell on a phrase, even just a word."
A "contamination of languages," as he wrote and designed, with a Turi, the poet Ciammaruconi Maria Teresa, the great absence of that evening. It was held in Rome from commitments can not be derogated. Absence, without which, however, "Body to Body. Turi Thin and poets "would not come to Palermo and would not see even the first morning of his birth. And we would not have had the pleasure to enjoy the dance of the syn-bállein - the plunge together - Poetry and painting in the eyes of the painter and poet in the correspondence of amorous senses and intellect that sees them together while turning the vacuum challenger with the colors and the words of the symbolic-semiotic training.